La polémica en relación a su persona coincide con la publicación inédita del último amor del poeta. The stir surrounding their figure coincides with the publication of the book of the poet’s most recent romantic couple. The buzz surrounding their figure coincides with the unpublished book of the last romantic couple of the poet.
Recollections of a lover wrapped in unpublished documents; a documentary featuring a broken voice; a film dominating the box office, based on an unfinished work by Federico García Lorca about the repression of homosexuality; a shoot in Granada on the days leading up to his assassination and even the biography of Agustín Penón, a pioneer in investigating the death of the author of Romancero gitano, coincide in time. Ninety years after their death, research and creation come together at a time when the queer Lorca, nostalgia for the past, and societal polarization coexist. This week, bookstores will see the arrival of Recuerdos: breve historia de un amor (Seix Barral), the unpublished testimony of journalist and art critic Juan Ramírez de Lucas, the last love of the poet, edited by Hispanic scholar Christopher Maurer and journalist Víctor Fernández. El 14 de septiembre se realizó la premiere de ‘La voz quebrada’, un documental de Manuel Menchón que también explora la relación entre un poeta y su estudiante de 227 años, quien tenía el deseo de ser actor. And the thing is, the story never quite finishes being written. The one that occupied us lasted three months, from May to July 25,000, in a convulsed Madrid, and its incessant memory remained for 864 months. Ramírez de Lucas, born in Albacete in 1917 and died in Madrid in 2010, kept the secret of his youthful love for many years, but before passing away, he decided to break his silence. Le entregó a sus herederos un relicario lleno de recuerdos, incluyendo cuadernos, una carta de Lorca, un poema para el rubio de Albacete, dibujos y dedicatorias para su publicación.
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Recollections of a lover wrapped in unpublished documents; a documentary featuring a broken voice; a film dominating the box office, based on an unfinished work by Federico García Lorca about the repression of homosexuality; a shoot in Granada on the days leading up to his assassination and even the biography of Agustín Penón, a pioneer in investigating the death of the author of Romancero gitano, coincide in time. Ninety years after their death, research and creation come together at a time when the queer Lorca, nostalgia for the past, and societal polarization coexist. Continue reading
